Thinking within boundaries, working within constraints.Posted: October 8, 2012
So I’ve got a bit of news – in January 2013 I’m going to be starting an Internship at Leicester Print Workshop in Stone Lithography! It’s one of the only printmaking processes I’ve never had a go at before, and I’m really excited because it’s one which relates the most, in my mind, to drawing. One of the things which made me apply for it was doing a print swap recently with artist Lisa Hecht. I sent her one of my artists’ books – ‘Corners’, in return for her beautiful lithograph ‘Blue Damask Bed’, (above – sorry for the not-great photo). I think it’s actually a photo-lithograph, but it was the quality of the print which captured my attention – the way the ink sits on the paper is different to any other printmaking process, and the layering and colour really inspired me.
Over the past few days, as the news has had a chance to sink in, and as I’ve been in the process of editioning my print for this year’s 20:20 print exchange, I’ve been thinking about my last blog post, and what I said about choice of technique to suit the idea being a large factor in the success of a print. I still think this is very important, however, there is something to be said for working within the boundaries and constraints which a particular technique provides, whether it be drawing onto stone, carving into wood or lino, or etching a metal plate. This seemed particularly relevant as the print I was editioning was a very small, simple hard-ground etching which I made a while ago, as a tester for a series of small etchings of items of household fixtures and fittings. The drawing sits just within the boundaries of the metal plate, confined, almost restrained by it. But there is a certain domestic comfort in that.
It might be that an artist chooses a particular technique for the very reason that they want to be constrained – they want the process to determine the outcome of the work, to take them on a journey. The outcome may not be one which is expected or anticipated, but that’s what makes it so exciting! Printmaking for me is a constant process of inquiry, discovery and repetition, and the more I learn about it, the more ideas for new work I get, so I’m proper chuffed to have this opportunity to develop my skills further!
I’ll be posting regular updates on here from January detailing the progress of the internship, so keep checking back!