This week I started my post-graduate internship at Leicester Print Workshop. It was a busy couple of days, and I felt as though I absorbed a massive amount of information in such a short space of time, so looks set to be an intensive year, and I can’t wait!
Seeing as this is a bit of a new beginning for me, it has brought me back to some ideas I was mulling over at the end of last year, but never got the chance to post about, about how a piece of work begins, or how an idea forms – another recent topic of conversation at the print workshop.
For me, it has always been a kind of intuitive thing. But talking to other artists has brought to light that fact that every individual goes about it in a completely different way. This may be pretty obvious, but its not really something I’ve thought about in much depth before, and its made me examine my own way of working in more detail. I wanted to try to describe how an idea forms for me – just to see if I could articulate it in a comprehensible way. Without a better way of describing it, an image tends to appear to me, (not by some divine light shining down through the clouds – it’s usually very mundane). This could be sparked by anything – a throw away comment someone makes, a song lyric, a sentence in a book, a texture on a wall, the way one piece of furniture might sit compared to another, or a conversation which seems to recur coincidentally time and time again. This then tends to result in a fairly clear image of the piece of work I want to create, although inevitably that image changes through the subsequent processes of sketching, mock-ups, proofing, etc, often resulting in an outcome which is totally different to that which I intended.
In contrast, I was talking recently to a couple of artists who work rather differently – without any clear image of how they would like the work to look. Instead they let the materials and marks on the paper, or brush strokes on the canvas, guide them through the image-making process. I really admire people who can work like that, and I think it can add a sense of freshness and vibrance to a piece of work, and prevent work from going stale.
In contrast again, I know some artists who have a very rigid idea from the start of the piece of work they want to make, and do not deviate from this original idea and see it through to the end. This I also admire, as it involves a determination and blinkered vision which I’m not sure if I possess.
In short, I think it’s really important for an artist to be aware of how and why an idea forms, and to consider the ways in which that idea could be best interpreted and fulfilled – whether to stay true to the original vision, (if there is one), whether to deviate and explore alternative avenues, or whether to start from scratch and let the work grow organically. This also harks back to my previous post about working within the constraints of a particular medium.
These are definitely ideas which I’ll be considering throughout this year, and I am really excited to see how the lithography process will influence my work.
I started off this week learning about photo-lithography, and below are the resulting prints from my first ever photo-litho plates. Ok so I think I need a bit more practice!