Here is a little video of me printing a test litho stone last week. The image is made up of a series of squares in which I have used a different drawing material or technique to produce a different mark. I was really pleased with how it came out, but it might need a bit of etching back this week. It gets slightly tedious about half way through but bear with it! Hopefully it gives a little insight into the printing process, with some nice music as an added bonus. There’s also a photo of the finished print underneath.
This weekend I had a table at the Leeds International Contemporary Artist Book Fair, along with my friend Aimee Day, a visual artist based in London. It was a great two days, with such a diverse range of work, and so many inspiring conversations with people who really took the time to look at and ask about our work.
I came home feeling thoroughly inspired and energised to make new work. Having set myself a small budget, I also made a few purchases to add to my small but growing collection of artist books. Here are my new purchases in all their loveliness, along with the rest of my collection. Photographing them actually gave me the idea to do a post about each one individually. I’m going to try to do one every couple of weeks, so keep a look out…
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It was the 4th week on my internship at Leicester Print Workshop this week, and I learned how to transfer a drawn image to a litho stone using transfer paper. I’ll attempt to show the step-by-step process…
I rarely use colour in my work at the moment, and when I do I use it cautiously. I think I get a bit overwhelmed by the connotations behind using a particular colour, or using one colour against another. However I’d like to try to overcome this, and have recently been noticing colour combinations which occur in my everyday surroundings. So this week I decided to go out for walk and photograph a few. I seem to always be drawn towards muted hues, rather than bright, bold colours, particularly peeling paint – when one colour reveals another underneath, hinting at the history of the object. I’m going to try to use some of these colour combinations as inspiration for some new prints this year.
Week two learning lithography – Photo-litho test plates and drawing onto my first stone. And a cat called Morris who likes to sit in the kitchen sink.Posted: January 18, 2013
A test plate exposed to an ink wash on drafting film for varying amounts of time, ranging from 9 – 18 light units. Very much like photo-etching in that the longer you expose the plate, the lighter the image becomes. But SO much more detail than photo-etching, and no need for aquatint or halftones as these plates produce continuous tone because of the way they are printed.
Resulting prints from the test plate. Due to the nature of the printing process, more detail is revealed from the plate the more prints are taken – showing here the first print taken above, and the 9th print taken below.
My first drawing onto stone, experimenting with dry drawing materials such as litho pencils and crayons and rubbing block to create subtle tones. We also put a first gum etch onto this stone, so it will ready for it’s second gum etch next week.